FEATURE: Tracks of the Week - 14/2/14

*Originally published for The Line of Best Fit (14/2/14)

We’ve done the rounds again and picked out the best new music from the last seven days. Consider your Valentine’s playlist sorted. 

Appropriately, we kick things off with Bella Union’s latest signing, Ráj, and his debut, “Let Me Love You”. Don’t be fooled though – this is no happy ending. Sheer heartbreak over empty guitars and spooky percussion, Ráj’s soul repeatedly bleats, “let me love you, ’till it hurts”, and we might just hurt a bit too. An exceptionally promising debut from the LA-based artist. 

Another heart-tugger, “1955″, from new London-based dream-poppers Anto Dust was too hard to ignore despite its imitative dreamgaze composition. Walls of reverb, echoed vocals, humming psych organs and dampened beats combine to make a song that never starts nor ends; an endless loop of expansive, otherworldly sounds.

Woman’s Hour treated us to the first fruits of their labour since signing to Secretly Canadian with “Her Ghost” - a soft, progressive number that glows with confidence. Thankfully, the London-via-Kendal four-piece haven’t lost their knack for keeping musical components at arm’s length: synths skittering at their own accord and guitar lines darting. Fiona Jane’s gentle Northern burr nicely blankets the track, snatching you away from February’s cold winds.

Perhaps it was all the attention on Prince over the last week that got us hooked on Meanwhile's funk-pop debut, “Luvletta”. Ignoring the obvious musical comparisons, the song is so buoyant it could blow the roof off any raucous house party. Horn-sections, big synth barks, colourful vocals and a vivacious rhythm section make for a surefire weekend winner.

Last but not least, Cornwall-based sister duo Hockeysmith dropped possibly the best thing we’ve heard this year: “But Blood”. Where previous demos were mesmerising, if not a little distracted, “But Blood” is the sound of a band truly beginning to hone their craft: angled on brooding sub-bass, skewered acid hooks, fluid drone and opulent vocals. The stunning video is also worth a peep.

Listen to our selection of the week’s best tracks below:

FEATURE: Tracks of the Week - 1/11/13

*Originally published for The Line of Best Fit (1/11/13)

Another week has flown-by and with it a bounty of new music. Here’s our pick of the best tunes from the past seven days.

There’s no stopping Brooklyn popstress, Empress Of. Earlier this week, her supple vocals were heard jumping their way around a brilliant duet with Amateur Best. Then she suddenly dropped 'Realize You' and everyone’s mouths fell open. The track is daring, fresh, and addictive – surely a contender for those end-of-year best ofs.

London newcomer Manou gave us the first taste of her work with heavyweight producer PNUT (Dido and Amy Winehouse) on 'Sadie'. Glassy synths pepper her youthful vocals and half-rhymes flow through airy harmonies. It’s a very impressive debut from this 16-year-old who shrieks of early Marina & The Diamonds. We can’t wait to hear more.

It’s certainly been a good week for Scandinavian/Nordic artists (Akiine, F U R N S, Jacob Douglas) and a welcome return from Iceland’s Rökkurró. Back after a three-year absence with two new band members, the band presented 'Killing Time', a restful orchestral song fleshed-out with electronics and group singing. It’s an intricate track that thanks you for close listening. Maybe it’s all the attention on Airwaves festival, but the music that arrives from those northerly Arctic winds is constantly rewarding.

Cornish sisters Hockeysmith fittingly spooked-us out yesterday with their latest track, “Meanwhile.” Meditative, experimental and electronically crisp, “Meanwhile” sounds like Warpaint in afterglow, replete with erratic rhythms and ethereal synths. It’s anyone’s guess what goods they’ll come up with next.

Lastly, Kwabs showed-off that voice on the SOHN-produced, 'Last Stand'. His soulful vocal is fed repeatedly through SOHN’s rooted synth and bass until the earth in shatters at the crescendo. The stormy, plainchant-like backing vocals might make the gods above a little angry too.

Listen to our selection of the week’s best tracks below: