*Originally published for The Line of Best Fit (21/2/14)
Every week we trawl through masses of new music to bring you the best of the rest. Here’s our pick of the most exciting new tunes over the last seven days.
As all eyes were on the Brits, some lent their ears to Zane Lowe’s BBC Radio One show for Jungle’s latest offering, “Busy Earnin”. Rather than continue on a placid groove, the elusive soul/funk-pop duo dropped one hell of an anthemic brass blowout, embellished with big bass slaps, jewelled synths and smug harmonies. It’s now more important than ever to keep an eye on them.
Leeds-based five-piece Goodbye Chanel knew exactly how to transport us to warmer climes this week with the tropical-pop goodness of “Foreva”. Its effervescent rhythms and sparkly math guitars sit somewhere between Foals' sound of yore and US quirk-pop experimentalists GIVERS; a layered, escapist sound that is more than welcome at this bleak time of year.
Returning to the funk furrows of Jungle’s sound, JUCE dished-out the unbelievable catchy, “Call You Out”. Recalling the late 70s disco vibes of Donna Summer, the track is at once modern and old in its sound, brightened by swoon synths and soft harmonies. An exciting debut offering.
We were lucky to premiere the sonic new track by Still Corners/Hush Arbors music man Leon Dufficy, under the guise of Winter Drones. “Towns Alight” is relentless with its guitar drone and urgent motorik rhythms, basking in dream-pop murmurs and weighty multi-layers. His debut album is out this April.
Lastly, Oxford quartet Glass Animals unveiled their latest sultry experiment, “Gooey”. With frontman David Bayley’s lascivious falsetto, undulating rhythms and sketchy electronic whips, it’s an idiosyncratic offering from the band who were the first to sign to Paul Epworth’s (Adele, Florence And The Machine) Wolf Tone label. Bring on their debut album.
Listen to our selection of the week’s best new music below:
Showing posts with label Glass Animals. Show all posts
Showing posts with label Glass Animals. Show all posts
Wednesday, 26 February 2014
Friday, 15 November 2013
NEWS/LIVE: Glass Animals play a packed homecoming show in Oxford
Photograph taken at The Great Escape Festival in Brighton by Andrew Novell.
*Originally published for The Line of Best Fit (15/11/13)
Glass Animals have had a busy summer diet: European festivals, new singles and even closing a deal with producer Paul Epworth’s (Primal Scream, Bloc Party, Adele) new label, Wolf Tone. Last night saw them digest it all with a packed-out homecoming show.
The small space in The Jericho Tavern, renowned for housing Radiohead’s debut gig, was well suited for the close textures of Glass Animals’ experimental sound. Better still, it enabled vocalist/guitarist Dave Bayley’s abstract and poetic lyrics to float between the many pairs of ears stacked to the front. Bayley is a natural frontman, with finely-tuned support from his bandmates.
The gig also gave the four-piece the chance to debut new material; 'Gooey' and 'Fresh Coast' sounded almost as established as buzz-hits 'Cocoa Hooves' and 'Black Mambo'.
A taste of what to expect of their debut album (due to be released in March/April 2014) hung heavy in the air at the show’s close, but at least we won’t have to wait too long for new recorded material. The band plan on releasing a mixtape as a late Christmas present in January.
Setlist
Exxus
Dust In Your Pocket
Psylla
Gooey
Golden Antlers
Fresh Coast
Cocoa Hooves
Toes Wyrd
Black Mambo
Tuesday, 5 November 2013
LISTEN: Glass Animals - Woozy [feat. Jean Deaux]
*Originally published for The Line of Best Fit (5/11/13)
It’s been more than a year since Oxford’s Glass Animals unleashed the unnerving, electronic sounds of 'Cocoa Hooves'. 'Exxus' ran in a similar vein. But a balmy, unexpected collaboration with Chicago rapper Jean Deaux proves we still haven’t worked them out yet, and neither have they.
What is clear, however, is the quartet’s love for experimentation. Where 'Golden Antlers' touched upon post-dubstep, new song 'Woozy' is an intelligent jazz/electronica/hip-hop hybrid, replete with brush-taps, fluid bass and Jean Deaux’s self-assured rapping.
Perhaps it’s not best to signpost genres here, but with the band’s constant evolution, a little orientation might be in order.
Glass Animals play Broadcast, Glasgow on 8 November, Concrete, London on 12 November, and a hometown show at The Jericho Tavern, Oxford on 14 November.
It’s been more than a year since Oxford’s Glass Animals unleashed the unnerving, electronic sounds of 'Cocoa Hooves'. 'Exxus' ran in a similar vein. But a balmy, unexpected collaboration with Chicago rapper Jean Deaux proves we still haven’t worked them out yet, and neither have they.
What is clear, however, is the quartet’s love for experimentation. Where 'Golden Antlers' touched upon post-dubstep, new song 'Woozy' is an intelligent jazz/electronica/hip-hop hybrid, replete with brush-taps, fluid bass and Jean Deaux’s self-assured rapping.
Perhaps it’s not best to signpost genres here, but with the band’s constant evolution, a little orientation might be in order.
Glass Animals play Broadcast, Glasgow on 8 November, Concrete, London on 12 November, and a hometown show at The Jericho Tavern, Oxford on 14 November.
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