Showing posts with label Dan Croll. Show all posts
Showing posts with label Dan Croll. Show all posts

Friday, 14 December 2012

FEATURE: Dan Croll

*Originally published for The Generator's Tipping Point blog (13/12/12)

I’m honoured to at last reference a musician with (phonetically) the same strange surname as me, but only because the artist in question is breathtakingly good.

Dan Croll was first tipped by us in August when Toby Rogers praised his Flaws-era Bombay Bicycle Club balladry. A couple of months later, the Liverpool musician has come forward with a debut single sounding broader than all of his tracks put together (this is far from a discredit – check out the wonderful ‘Home’ and ‘Always Like This’) – so much so that the likes of Nick Grimshaw and Annie Mac have aired/interviewed him on their shows.

‘From Nowhere’ literally has arrived from another part of Croll’s mind, opening with a fairground organ that wouldn’t feel out of place on The English Riviera. It bursts forth with a statement bass-line, reggae rhythms and vacant jazz chords that, in all honesty, make you wiggle like a child in your desk chair. There’s a boyish, earnest tone to Croll’s singing, which nonchalantly glides over the track’s shimmering multicultural sound.

In essence, ‘From Nowhere’ does nothing less than hark to the kind of cool pop music that Santigold writes across the pond, but Dan Croll makes it in Britain. His debut album is out next year.

Thursday, 6 September 2012

FEATURE: Spring King

                                                                                                   

*Originally published for The Generator's 'Tipping Point' blog (6/9/12)

Working under the alias Spring King since March, it seems prolific producer of Tipping Point faves Jethro Fox and Dan Croll, Tarek Musa and friends have been spending a lot of time hanging out with Ty Segall and The Black Lips, or, the more probable situation, wishing they had. Their first penned track, ‘Let’s Ride’, boasts a similar garage-punk sound but is loaded with a faster energy that has already gained attention from the likes of The 405 and Amazing Tunes.

It’s hard to believe Spring King hail from the UK when dusty, Americanized vocals shout over lo-fi riffs and tinny west coast surf solos. Bass and drum breakdowns characterise the verses, while root-note piano adds depth to latter part of their organised car crash of sound. They even manage to squeeze in a couple of whirring synth melodies before the song ends at a measly two minutes and fourteen seconds, but they have made their point and impressively stun us to silence.

Spring King’s aggression and energy on ‘Let’s Ride’ is bound to prick ears up and get people excited about guitar music again – but this time on our home turf.

Today's Generator Tipping Point comes courtesy of Rob Platts at Alan James PR