Saturday, 19 November 2011

FEATURE: Blog post for BBC 6 Music Introducing with Tom Robinson

Tom Robinson and Jono McCleery

*Originally published for BBC 6 Music (13/11/11)

After Bethan Elfyn’s superb takeover of the show for the last two weeks, Tom returned from his break this morning with more of the best new streaming tunes around. As ever, he brought an eclectic mix of music to the show; from the chillwave soundscapes of Newcastle producer Waskerley Way to the folky vibes of Will Varley and the gothic electronic nuances of NY artist Bonnie Baxter, aka Shad[]wb[]x.

Joining us in the studio this week was the fantastic London-based artist Jono McCleery (with Tom, above). Since his initial airplay on 6 Music in 2006, Jono has been swiftly snapped up by Ninja Tune Records - and his second album There Is is out now. As well as talking to us about the positive reception of his new album in France and the US and his love for jazz/ improvisational styles, he admitted to a secret fetish for mastering the double-bass. This was unbeknown to us and it certainly adds to McCleery’s musical aresenal ! We played Tie Me In - one of his favourites from the new album - and  we loved its jazz-snap rhythms, brooding vocals and yearning strings. Jono plays a headline show at London's legendary 100 Club on November and we wish him a storming succes.

Our Sunday morning tip from Huw Stephens at Radio One featured, he told us, the "musical hip-hop genius" of 26 year old London rapper, Mikill Pane. The heavy marching rhythms and booming chorus of his track I Can Feel It make it near-impossible to not dance to. DJ Target recommended To And Fro by the Ipswich duo De’ Vide, while Bobby Friction brought us a brash but catchy hip-hop chant called I Don’t Really Care by the London artist Menis, aka The Brown Boi. We were interested to note that Menis had been part of an Asian cultural delegation to Downing Street recently, where he met PM David Cameron. Also in attendance was Swami Baracus - featured on this Monday’s Mixtape edition of the show.

In place of session tracks this week we had two live recordings by The Slow Show - who were recommended to support Elbow at Manchester Cathedral last month by the city's local BBC Introducing show - and were recorded there by BBC Radio 2. Working in a similar vein to to the contemplative, alt-rock stylings of bands such as The National. it's amazing to think how far this unsigned band have come since their formation just a few months ago.

Tom gave repeat plays to several of his favourite tracks - including Ghosting by Secret Rivals, and All At Sea by The Peryls - while tonight's spin of the Introducing Roulette wheel turned up the Ulster quartet Seven Summits, with I Want Somebody. It came to us courtesy of Steven Rainey from Rory McConnell’s BBC Introducing In Northern Ireland programme - and our thanks go out as usual to the listeners, artists and colleagues who recommended yet another great week of diverse under-the-radar music from cyberspace.

Charlotte Krol and Tom Robinson

Friday, 28 October 2011

NEWS: Listen to the first 'Charlotte's Web' cloudcast

If you missed the radio show on NSR this week, then check out the Week 3 cloudcast here:
 (NB: following shows may appear now too)!


Brand new tracks from Dimbleby & Capper, The Black Keys, Coldplay and Mazzy Star, as well as some great tunes from Spotlight Kid and Little Dragon...

Shows will be uploaded on a weekly basis at Mixcloud.

The lovely, Chris Scott, will be hosting the next three shows.

Enjoy.

Tuesday, 25 October 2011

This week, it's all about...

LIVE: NME Radar Tour 2011

With the crowd sparse in attendance at this year’s NME Radar Tour at the O2 Academy Newcastle, it was up to Malin Dahlström of Niki & The Dove (Sweden’s first – no second – perhaps even fourth lady of electro-pop, with the likes of Robyn, Fever Ray and Lykki Li before her) to pull the punters in. And she didn’t disappoint. Her powerful, shrill vocals, swathed in groggy synth, constantly demanded the attention of the somewhat bemused crowd who were
clearly captivated by her Kate Bush-like immersive dance routine. The drum rumbles and trance hooks in ‘Mother Courage’ sounded flawless live and Malin Dahlström’s strange, animalistic glottal noises made it a solid, if not disturbing performance.


Storming onto the stage next with angsty self-importance was London’s post-punk/krautrockers S.C.U.M, opening with their fantastic single, ‘Amber Hands’. The chiming octave guitar chords, pounding beats and eerie fairground synths, or as the band like to put it, ‘machines/press’, were astonishing to hear live. Thomas Cohen’s Bowie-meets-Molko vocal is an instrument in itself, jittering against the onslaught of off-beat drums, cryptic sounds and jaunty bass lines in upcoming single, ‘Whitechapel’. The band are true performers - especially circus ringleader Cohen - with his spindly fingers casting a spell over the crowd.


Headliners for the evening, Wolf Gang, however were the most comfortable on stage, or should I say was, since Max McElligot is credited as the sole personification of the band. God knows why - there is astonishing chemistry between him and the other four members. Besides this, MGMT and the 80s electro-pop nuances of Talking Heads immediately sprung to mind. McElligot’s songwriting style is very advanced for his short time being recognised as an NME rising star; his choruses never fail to worm their way into your brain, with thunderous pianos, delayed guitars and sprightly falsetto harmonies. Wolf Gang are clearly the most conventional band of the night, but this is no discredit to them, since they at least got the crowd jumping to the up-beat indie pop of ‘Lions In Cages’ and swaying to the crystal-clear, angelic sounds of ‘Suego Faults’. What is refreshing overall is that NME can host a gig that shows a wealth of diverse styles breaking from the underground, and many onlookers will have left with their bellies full of wonderful, new music.

*Originally published for NSR (24/10/11)

Monday, 24 October 2011

REVIEW: Wild Beasts - 'Reach A Bit Further'


Notably inspired by the Romantics and the sublime scenery of their hometown of Kendal, Wild Beasts are certainly modern –day Lake Poets in their own right.

'Reach A Bit Further', the next single taken from their critically-acclaimed third album, Smother, shows the band submitting to this identity; with strong, lyrical metaphor exploring the vast complexities of modern romance. The quartet, however, also shuns expectations with strange, exotic syncopated drumbeats and pitchy guitars that chase each other amongst chiming xylophones. The vocal call-and-response between Hayden Thorpe’s startling countertenor and Tom Fleming’s warm Cumbrian burr is also utterly charming – Flemings’ voice is supremely reminiscent of Elbow’s Guy Garvey’s comforting tone – and the song has, however rare an occurrence, a wonderfully repetitive core. It is an absolute delight to hear.

*Published for NSR Music Blog (24/10/11) http://www.facebook.com/notes/newcastle-student-radio/wild-beasts-review-by-charlotte-krol/10150340872229195#!/notes/newcastle-student-radio/wild-beasts-review-by-charlotte-krol/10150340872229195

Wednesday, 19 October 2011

NEWS: Tune in to 'Charlotte's Web' on NSR


'Charlotte's Web' has entered another dimension. You can now listen to the associated radio show live on Newcastle Student Radio, 10am - 11am on Friday mornings: http://www.unionsociety.co.uk/nsr/

Podcasts will be uploaded onto my NSR Mixcloud account following the broadcasts:
http://www.mixcloud.com/Charlottes_Web/

The show will feature many of the bands/artists that I write about here.

On another note, a review of Wild Beasts' latest single and the NME Radar Tour 2011 will be posted here soon...

Monday, 17 October 2011

REVIEW: GIVERS - 'In Light'



GIVERS are exactly what their name states; the Louisiana quintet relentlessly pump happy-go-lucky pop euphoria into every inch of their upbeat debut LP, In Light, which makes you want to embrace any unassuming stranger passing by. But is their colourful patchwork quilt of afro-pop, indie, ska, punk, nosie rock and disco all too suffocating for its fifty minute running time?
     ‘Up Up Up’ introduces the band’s cosmic, eclectic sound, with a magnetic off-beat drum snap, billowing flutes and angry synths behind an impossibly catchy chorus. When you think that the song has finished– you guessed it – GIVERS keep on giving (pun intended) from hand-clapped breakdowns and compressed vocals, to ceremonial blast beats and grand guitar slams.
     Upcoming single, ‘Meantime’, offers an equally attractive chorus, with a calypso jingle in the verse and Vampire Weekend-esque guitar solos, but ‘Saw You First’ is arguably a better choice for their next single release, for it demonstrates GIVERS ability to tone down their music and envelop it in a more rustic sound. Country acoustics are complimented by subtle, ghostly synths and a warm bass, while Tiffany Lamson and Taylor Guarisco’s harmonies and hopelessly romantic lyrics simmer over stomping rhythms.
     After the warm and fuzzy nuances on the first few tracks, there appears to be a pattern of sounds emerging. In short, experimenting with as many instruments as possible isn’t a guarantee for musical variation. In addition, rarely has a more irritating chorus existed than found in ‘In Light’. Criticisms aside, it is promising to hear a band channelling remarkably buoyant sounds through a generally solid debut.

7/10


*Published for The Courier  (17/10/11)- edited version found here: http://thecourieronline.co.uk/2011/10/album-review-givers-in-light/