*Originally published for The Line of Best Fit (11/2/14 - 12/2/14)
Reptile Youth - "JJ"
An exciting new offering from Danish duo Reptile Youth – “JJ” is an impeccably infectious debut.
Bouncy rhythms and swirling, My Bloody Valentine-indebted guitars spin over five minutes of hypnotic shoepop, paired with stunning black and white videography. “Testing out your immortality”, vocalist Mads Damsgaard Kristiansen shoots from the back of his throat as we peer in on him and co-member Esben Valløe suitably sacrificing themselves to icy seas. As joyful basslines pop and guitars crunch, we are constantly awaiting their next move, if only to get swallowed by the track’s attractive, patterned melodies.
“JJ” is out now, and the band’s new album, Rivers That Run For A Sea That Is Gone, is released on 10 March.
Volcanoes - "When We Melodise"
Sheffield four-piece Volcanoes reveal a charming, imaginative video to accompany their breathtaking new single, “When We Melodise”, premiering today on Best Fit.
Comprised of paper puppets and abundant with symbolism, the video sees a young wanderer on a quest to find a key to unlock a happiness. Like the songs’s building kinetics, it has a natural flow that slowly gathers momentum.
The track itself is some of the most promising music we’ve heard from a young band this year: brimming with frilly guitars, murmuring strings and glowing, call-and-response harmonies that would prick up the ears of many a Fleet Foxes fan. “When We Melodise”'s strength lies it its gentle composition, with layers of folk melodies playing tag and falling just short of one another. Truly wonderful.
“When We Melodise” will be available for sale and download on 9 March and is taken from Volcanoes’ debut album, Radiogeist, to be released later this year.
Anto Dust - "1955"
Reverb-saturated guitars, whirring psych keys, breathy vocals, looped melodies – sure, there’s nothing remarkable about the track’s distinctive dream-pop makeup, but that doesn't matter. Founded last summer by Sardinian songwriter Anto Cossu, Anto Dust were conjured for one thing only: to “fulfil her vision of her music”. Brought up on a diet of Slowdive and The Velvet Underground, it’s clear to see how that vision has been met via ethereal walls of sound and beefy atmospherics.
A song that demands to be replayed – even when looped melodies render no strict beginning nor end – is a song that deserves to be shared. All hail, “1955″.